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Find more about Impressionism, Post - Impressionism and Impressionists artists

26.05.2016 Capturing the Love,
and Psyches, of Frida
Kahlo and Diego Rivera

26.05.2016 New catalogue raisonné sheds light on Francis Bacon’s art and controversial life

26.05.2016 JR makes Louvre pyramid disappear

26.05.2016 ‘Pivotal’ Constable sketch to lead Christie’s 250th anniversary sale

 

 

 

May 2 - 8, 2016 Salon Zürcher

May 3 - 8, 2016 Art New York 2016

May 3 - 8, 2016 CONTEXT New York

May 4 - 8, 2016 Collective Design

May 5 - 15, 2016 Art Safari Bucharest

May 5 - 8, 2016 Frieze New York 2016

May 5 - 8, 2016 NADA New York 2016

May 6 - 8, 2016 1:54 Contemporary African Art Fair New York

May 6 - 9, 2016 Spring Masters New York

May 12 - 14, 2016 Art Fair Tokyo 2016

May 19 - 22, 2016 arteBA Contemporary Art Fair

May 19 - 22, 2016 Photo London

May 20 - 22, 2016 Art 16

May 26 - 29, 2016 ARCOlisboa

May 26 - 29, 2016 Art Athina

May 26 - 29, 2016 Art! Vancouver 2016

May 26 - Jun 4, 2016 LOOP Festival

May 28 - 29, 2016 GRANPALAZZO 2016

May 28 - Nov 27, 2016 The Venice Biennale's 15th International Architecture Exhibition will be directed by Alejandro Aravena and titled ‘Reporting From The Front’

May 5–Sep 18, 2016 Hamburger Bahnhof, Carl Andre: Sculpture as Place, 1958-2010, Berlin

May 19–Nov 27, 2016 The British Museum Sunken cities Egypt’s lost worlds, London

May 21–Dec 4, 2016 Moderna Museet, THE NEW HUMAN, Stockholm

May 22–Jun 12, 2016 Museum of Contemporary Art..., New Capital: Huang Yu Collection Exhibition, Chengdu

 

 

Édouard Vuillard (1868 – 1940)

He studied at the Academie Julien in Paris and shared a studio with Pierre Bonnard. Both artists were inspired by Serusier’s theories derives from the works of Gauguin and became founder members of the Nabis in 1889. Vuillard was also influenced by the fashion for Japanese prints and this was reflected in his paintings of flowers and domestic interiors, executed with a keen sense of tone , colour and light. He was also a prolific designer of textiles, wallpaper and decorative features for public buildings. His paintings of cosy domestic subjects show a tremendous feeling for texture and patterning, a skill he picked up from his mother, who was a dressmaker. The bolts of brightly coloured cloth that surrounded him as a child found and echo in his own textile designs. His late paintings were more naturalistic, aided by photography, which he employed to capture the fleeting moment.

 

 

In the Room, 1904, Oil on canvas, 50 x 77 cm, Pushkin Museum of Fine Arts

 

 

 

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